Mar 252011
 

I have been trying to find a really simple metaphor for clients, students and other industry professionals to help them better understand the complex world of multi-platform. Also completing the last few chapters of my Networked Media Storytelling book I needed a big but simple metaphor. One of the biggest issues I have faced over the years is rooted in the question “I tell stories on one or two platforms why do I need to reach out onto other platforms and how?”. I often reply with a long answer that falls into a few categories (1) Audience have fragmented 2) Business models have shifted (3) Engagement and social needs have altered (4) Have you noticed a general decline in traditional media? (5) Your stories can be improved exponentially if you ‘transmediarize’ them etc: I obviously leave the more fundamental ‘how to’s” to my consultations or workshops and a key element of that is what are the new platforms combined with how to design your story appropriately for them.

So for a few workshops & talks recently I developed a simple ‘graphic’ which demystifies some of the challenges storytellers face. This post describes the motivation and deeper thinking behind the World Map of Multi-Platform Cultures & Transmedia Rituals. How to understand this new world and how to navigate the relatively uncharted waters?

Ye Olde Days – The Disconnected World of Gated Platform

Around 40 years ago the opportunities for storytellers were both limited and segregated. By that I mean it was hard to truly make your media work across multiple distribution channels, sure you could do the whole film of the whole book or the whole radio play of the whole comic but the concept of placing ‘isolated’ narrative elements of your story appropriately designed for each and meant to ‘move’ users between them was a pretty alien concept. The more sophisticated story form within multi-platform (transmedia) was also hard to achieve due to the commercial gate holders on each platform wanting the ‘self-contained’ whole – not bits and pieces that also promoted competitors or drove traffic away.

World of Multi-Platform in 1970s

But as we all know between 1990 and the present broadband internet, social media and mobile technology changed the landscape in a not so subtle way and old school media creative thinking is not relevant anymore in this altered landscape.

The New World Dis-Order of Multi-Platform Experiences

Wow how things have changed. Like our physical planet mass media and its internal cultures has splintered, the land masses moved apart leaving a complex environment to navigate.

World Map of Multi-Platform Cultures & Transmedia Rituals

Firstly we have the large continents of

  • The Sea of 2D Media – Video, audio, images and includes the Bay of Social Media
  • The Ocean of 3D Games – Social Worlds, Console single players, MMOGs, Serious, Casual
  • The Lands of Physicality – Theme Parks, Outdoor Screens, Urban Spaces etc: and includes the Bay of Mobiles

Looking more closely at my map, consider the hybrid media ‘waters’ that separate the lands. Between Games and Physical Lands/Mobile we find the ‘Straits of Augmented Reality’ – meshing the digital and the real.

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Aug 282009
 

Was going to call this Augmented Reality Story Environments but…:)

It is fascinating to see how quickly Augmented Reality (AR) is permeating our lives and the blogosphere. But what will the mass adoption of mobile devices that allow you to layer ‘virtual story worlds’ over the real world mean for new forms of entertainment & marketing? Also what will it mean when celebrities and audience/users, begin to merge – avatars appearing in broadcast TV and film/gamestars composited into our homes?

angelina_ar

I have posted about the cross-reality evolution over the last 3 years on this blog under a general mixed-reality umbrella. Now we have every blogger & journalist talking about their AR engaged iPhone, DSi, PSP or smart mobile as if they have discovered some advanced alien technology. But is it really is a game changer, a new playground for storytellers? A window to another world at one end through to a simple layered utility at the other. Actors and fantasy characters deliver lines, embedded in real world scenes, you find the hidden virtual treasure, the historical or future backstories and clues, video, sound, images – even fellow ‘players’ morph into strange aliens or dissapear, you leave red herrings or leave help for other players the possiblities, endless.

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Jun 222009
 

I was invited to keynote at the IADIS multi conference in the really tough summer environment that is Carvoeiro (a quaint Portugese coastal town & limestone cliff’d seascape on the Algarve). The conference (at the Tivoli Hotel image below) has many strands overlapping probably due to over 1300 submitted papers looking at a massive range of topics. I have linked to each of the main strands below that were excellently edited by Prof. Katherine Blashki, Prof. Pedro Isaías & others. Most of the papers are typically academic (meaning theoretical or retrospective), but a few gems some were ‘zeitgeist practical/industrial’ and some needed a good deal of focus, kick-up the proverbial.

TiVoli Portugal

I was lead keynoting for a few strands, namely Telecommunications, Networks and Systems 2009, Informatics 2009 and the main conference Game and Entertainment Technologies 2009. It was a tall order to bridge these areas so I tried to encapsulate a few of my own current practical strands as well as ‘thinks’ at how play is truly everywhere, already escaped the bounds of the screen but the real focus was about the many new forms being created organically inside social media networks. (This slideshare is annotated – albeit in a slightly jetlagged haze and so only scrape the surface of the key messages!). The talk was well received and nice to see terms like ‘transocialmedia’ being used in discussion in later sessions. Also interesting to see a Strategy Analytics report using the term ‘Social Virtual Worlds’ I coined a couple of years ago in a report linked here and in my presentation below.

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Dec 142008
 

I haven’t been able to log into Sony’s PS3 home yet but have been fascinated in the trickle of videos onto YouTube showing first usage in the past two days. There are many posts over the last 2 years about PS3Home on this blog and it is great to finally see it come out of alpha (it still feels like a mature beta) as promised ahead of the XMas fest this year. Previous posts followed by some nice ‘early captures’:

But for now here are a selection (will be doing my own indepth look at Football Superstars too soon – which has many parallels).

1 A good clear and enthusiastic 12 minute introduction overview from David at TheCreativeOne showing how graphically this far exceeds most other social virtual worlds as well as a first look at the mall, your apartment and some community sports.

2 – With limited activity this is how a community of 30 people decided to entertain themselves. “The 30 People Playstation Home Train!”

3 – Someone delighted to be able to log in finally and shows off a little of the interface and demonstrates the vSide-like music backtracks

4 – A nice little bit of marketing at the right sort of demographic with RedBull being one of the first to do PS3Home as a sponsored ‘social’ game.

5 – Someone who is delighted with certain integrated dance moves 🙂 The Monkey Dance

6 – Probably a middle aged man testing out the ‘Stripper Stage’ – minus the stripping, audience and dance pole!

7 – Finally a long 17 minute continuous wander around home giving a good insight into what it is about

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